Tabloid Newsstands, or the futur antérieur Museum of Racism

One of the critical skills a historian of art, or indeed historian of anything, acquires is the ability to think cumulatively. This means assessing media and sources for their quotidian ongoing drip-feed effect, which, from the amnesiac day-to-day perspective of a precariously-employed member of the public pre-occupied with performance and meeting targets, comes to appear