Think Generically, Act Particularly

Yes, it’s a twist on the old slogan ‘think globally, act locally’. Bear with it, though; it means something related, but also quite different. There is a certain degree of equivalence between a Badiouian Evental Site, the situation of mésentente in Rancière’s ‘part-of-no-part’, Agamben’s State of Exception, and, (perhaps least of all due to its

The Ersatz Image [2]

Roman Jakobson’s communication model1, while developed on the back of studies of verbal communication and the speech event, has proved invaluable for the semiotic analysis of culture beyond the scope of structuralist linguistics. One of the primary benefits of Jakobson’s functionalist understanding of language is that it avoids the transmission model’s reduction of communication to

The Ersatz Image [1]

As someone deeply invested in the disciplines of art history and visual culture studies, the recent shitstorm over a comment Jeremy Corbyn made in 2012 regarding a mural by Mear One (Kalen Ockerman) keeps flying into my radar range. Because it’s Easter and I’m supposed to give myself a break, I’ll stick working towards my

Lesson Plan

If history teaches us anything, it is that lesson plans are lies. Useful lies, sometimes, but lies nonetheless. How do we really learn things? How is it that something I did not understand yesterday, I can understand today? What did I do that uncovered a new relationship to the object of my inquiry, and can

The Apparatus

For Michel Foucault power is not a substance held by one person and not by another. Nor does it function in a ‘top-down’ manner as classically considered. With Foucault, power is decentralized, and operates through a distributed agency. Power functions through a range of relationships. For Foucault power is ‘capillary’,[1] ‘cellular’,[2] and ‘exercised from innumerable

Le bon Dieu est dans le détail

It’s a commonplace that the art historian is related to the detective. I find the pervasiveness of this analogy interesting, and although I am by no means a believer in astrology, I was mildly amused to see that the trope of art-historian-as-sleuth had even penetrated into that murky field when I read that a Scorpio

Explanandum and Explanans

An explanandum (L.) is a sentence describing a phenomenon that is to be explained, and the explanans is the sentences adduced as explanations of that phenomenon. For example, one person may pose an explanandum by asking ‘why is there smoke?’, and another may provide an explanans by responding ‘because there is a fire’. In this

Real Abstraction

The Marxian conception of Real Abstraction can be found all over the place; for example, in Simmel[1], Sohn-Rethel[2], Adorno[3], Toscano[4] and more generally, scattered throughout critical theory. Marx wrote: Within the value-relation and the value expression included in it, the abstractly general accounts not as a property of the concrete, sensibly real; but on the

Against Banter

This was written partly as a response to an article I recently read in which alt-right trolls were compared with Kierkegaardian ironists. To the degree that trolling deserves any theoretisation at all, the argument seems initially seductive, but I have very serious reservations about it.