Fig. 1: A View of the Temple of Comus in Vauxhall Gardens, 1751, coloured engraving by Johann Sebastian Müller

Space and Gesture: researching Vauxhall Pleasure Gardens

With the ‘urban renaissance’ of the eighteenth century came new forms of sociality which included unprecedented levels of social mixing.1 One of the spaces in which these forms occurred is the pleasure garden, and this literature review collates varying perspectives on Vauxhall Pleasure Gardens in the mid eighteenth century. While Vauxhall has been studied far

Tabloid Newsstands, or the futur antérieur Museum of Racism

One of the critical skills a historian of art, or indeed historian of anything, acquires is the ability to think cumulatively. This means assessing media and sources for their quotidian ongoing drip-feed effect, which, from the amnesiac day-to-day perspective of a precariously-employed member of the public pre-occupied with performance and meeting targets, comes to appear

The Ersatz Image [2]

Roman Jakobson’s communication model1, while developed on the back of studies of verbal communication and the speech event, has proved invaluable for the semiotic analysis of culture beyond the scope of structuralist linguistics. One of the primary benefits of Jakobson’s functionalist understanding of language is that it avoids the transmission model’s reduction of communication to

The Ersatz Image [1]

As someone deeply invested in the disciplines of art history and visual culture studies, the recent shitstorm over a comment Jeremy Corbyn made in 2012 regarding a mural by Mear One (Kalen Ockerman) keeps flying into my radar range. Because it’s Easter and I’m supposed to give myself a break, I’ll stick working towards my

Le bon Dieu est dans le détail

It’s a commonplace that the art historian is related to the detective. I find the pervasiveness of this analogy interesting, and although I am by no means a believer in astrology, I was mildly amused to see that the trope of art-historian-as-sleuth had even penetrated into that murky field when I read that a Scorpio

Explanandum and Explanans

An explanandum (L.) is a sentence describing a phenomenon that is to be explained, and the explanans is the sentences adduced as explanations of that phenomenon. For example, one person may pose an explanandum by asking ‘why is there smoke?’, and another may provide an explanans by responding ‘because there is a fire’. In this